| Ponteio |
Santoro
|
5:21
|
Contrast
Rhythmic Pattern
Rhythmic Pattern - Composition Technique
String Orchestra
Ternary Form
String Instruments
Syncopation
|
| Mini Concerto Grosso: III. Finale |
Santoro
|
1:41
|
Allegro
String Orchestra
Concerto
String Instruments
Motif
|
| Tres Canciones Populares Mexicanas: III. |
Maria Ponce
|
1:40
|
Compound Meter
Duple Meter
Solo
|
| Canyengue (excerpt) |
Barilari
|
3:25
|
Symphony Orchestra
Free Tonality / Pantonality
Percussion Instruments
|
| Strum |
Montgomery
|
6:52
|
String Instruments
Pizzicato
Mixed Meter
Quartet
|
| Ofrendas: Movement II Cempasúchil, Flower of the Dead |
Barilari
|
5:00
|
Ostinato - Composition Technique
Ostinato - Form
Percussion Instruments
Pizzicato
Symphony Orchestra
Ternary Form
Triple Meter
|
| Suite pou Dantan: I. Prelid |
Joachim
|
3:31
|
Binary Form
Contrast
Form - Misc.
Homophony
Live Instruments with Electronics
Major Tonality
Moderato
Parallel Motion
Tempo - Misc.
Simple Meter
Quintet
Suite
Texture - Misc.
|
| Pequeña Suite: Movement III |
Mejía
|
6:23
|
Col Legno
Pizzicato
Spiccato
String Instruments
Woodwind Instruments
Suite
Symphony Orchestra
|
| Suite Peruana: I. Juego de Terceras |
Garrido-Lecca
|
1:35
|
Free Tonality / Pantonality
Mixed Meter
String Orchestra
Suite
|
| Tracing Visions |
Coleman
|
16:16
|
String Instruments
Non-Metric
Chordal Texture
Rhythmic Pattern
String Orchestra
Call and Response
|
| Between Worlds |
Simon
|
4:54
|
Adagio
Allegro
Contour
Double Stops
Harmony - Misc.
Range - Expressive Elements
Range - Melody
Phrase - Expressive Elements
Phrase - Melody
Rubato - Expressive Elements
Rubato - Tempo
Solo
String Instruments
Tempo - Misc.
|
| Bachianas Brasileiras No. 9: Fugue poco apressado |
Villa-Lobos
|
4:24
|
String Instruments
String Orchestra
Fugue
Motif
Mixed Meter
|
| Mourinho |
Herz
|
4:11
|
Allegro
Mixed Meter
Ostinato - Composition Technique
Ostinato - Form
Rhythmic Pattern
String Instruments
String Orchestra
Tempo - Misc.
|
| Wade in the Water |
Charles Tillis
|
4:47
|
Fantasy
Arrangement
Homophony
Pentatonic Scale
Presto
String Instruments
Quartet
Tempo - Misc.
|
| Ladies Blues |
Dixon
|
4:27
|
String Instruments
Bass Line
Quartet
Call and Response
|
| Adoration |
Price
|
3:14
|
Arrangement
Andante
Melody - Misc.
Contour
Phrase - Expressive Elements
Phrase - Melody
Meter - Misc.
Simple Meter
String Instruments
Ternary Form
Form - Misc.
Tempo - Misc.
Duo / Duet
Imitation - Melody
|
| Milontan for Cello and Piano |
Bragato
|
6:15
|
Adagio
Disjunct Motion - Melody
Bass Line
Melody - Misc.
Contour
Duo / Duet
|
| Dusty Grooves |
Assad
|
5:23
|
String Instruments
Unison
Compound Meter
Meter - Misc.
Syncopation
Guitar Ensemble
Texture - Misc.
|
| Piano Concerto No. 1 "Latin" - First Movement [Excerpt] |
Montero
|
2:09
|
Chromatic
Concerto
Free Tonality / Pantonality
Solo and Ensemble
Symphony Orchestra
Imitation - Counterpoint
|
| Suite Peruana: III. Sicuri |
Garrido-Lecca
|
1:10
|
Motif
String Orchestra
Suite
Call and Response
|
| Suite from Estancia, 1st Movement: Los trabajadores agrícolas |
Ginastera
|
3:00
|
Allegro
Compound Meter
Meter - Misc.
Rhythmic Pattern
Rhythmic Pattern - Composition Technique
Suite
Tempo - Misc.
Triplet
Symphony Orchestra
|
| Suite from Estancia, 2nd Movement: Danza del trigo |
Ginastera
|
3:34
|
Ballet
Pizzicato
Suite
Timbre - Composition Technique
Timbre - Instruments
Symphony Orchestra
|
| Suite from Estancia, 3rd Movement: Los peones de hacienda |
Ginastera
|
2:00
|
Ballet
Mixed Meter
Rhythmic Pattern
Rhythmic Pattern - Composition Technique
Suite
Symphony Orchestra
Tempo - Misc.
Vivace
|
| Suite from Estancia, 4th Movement: Danza Final Malambo |
Ginastera
|
3:28
|
Allegro
Compound Meter
Meter - Misc.
Duple Meter
Suite
Syncopation
Symphony Orchestra
|
| GRIME |
Williams
|
8:39
|
Accent
Articulation - Misc.
Dissonance
Extended Technique - Composition Technique
Extended Technique - Expressive Elements
Imitation - Composition Technique
Imitation - Counterpoint
Interval
Rhythmic Duration
Staccato
String Instruments
Tenuto
Unison
Quartet
|
| Temper the Wound |
Vandever
|
3:45
|
Brass Instruments
Live Instruments with Electronics
Solo
Non-Metric
|
| Calling Me Back Home |
Vandever
|
4:42
|
Brass Instruments
Meter - Misc.
Ostinato - Composition Technique
Ostinato - Form
Quartet
Simple Meter
|
| A Nearer Sun |
Mulherkar
|
2:39
|
Brass Instruments
Chordal Texture - Harmony
Homophony
Legato
Quartet
Chordal Texture
|
| Encounters |
Mayo
|
3:00
|
Brass Instruments
Harmonic Motion
Quartet
|
| Marejada |
Negrón
|
8:15
|
String Instruments
Live Instruments with Electronics
Pizzicato
Arpeggio - Harmonic
Quartet
|
| Fiesta! Movement III: Trance #2 |
Lopez
|
3:00
|
Imitation - Composition Technique
Percussion Instruments
Rhythmic Pattern
Rhythmic Pattern - Composition Technique
Symphony Orchestra
|
| Fiesta! Movement IV: Techno |
Lopez
|
3:00
|
Brass Instruments
Symphony Orchestra
Syncopation
Tempo - Misc.
Vivace
|
| Huapango |
Pablo Moncayo
|
7:54
|
Arrangement
Articulation - Misc.
Accent
Compound Meter
Duple Meter
Duplet
Homophony
Imitation - Composition Technique
Imitation - Melody
Meter - Misc.
Staccato
Symphony Orchestra
Tenuto
Triplet
Hemiola
Texture - Misc.
Unison
|
| Symphony No. 3 La Salsa I. Tumbao |
Sierra
|
06:36
|
Disjunct Motion - Melody
Ostinato - Composition Technique
Ostinato - Form
Syncopation
Symphony
Wind Ensemble
|
| Symphony No. 3 La Salsa III. Danzas |
Sierra
|
05:14
|
Accent
Allegro
Compound Meter
Duple Meter
Meter - Misc.
Staccato
Symphony
Tempo - Misc.
Wind Ensemble
|
| Las Quatro Estaciones Porteñas: Otono Porteño (Autumn) |
Piazzola
|
7:28
|
Accent
Arrangement
Cadenza - Form
Concerto
Contrast
Extended Technique - Composition Technique
Extended Technique - Expressive Elements
Pizzicato
Rubato - Expressive Elements
Rubato - Tempo
String Orchestra
|
| Las Quatro Estaciones Porteñas: Invierno Porteño (Winter) |
Piazzola
|
8:00
|
Accelerando
Andante
Arrangement
Bass Line
Cadenza - Form
Concerto
Harmonic Progression
Legato
Meter - Misc.
Quadruple Meter
Ritardando - Expressive Elements
Ritardando - Tempo
Rubato - Expressive Elements
Rubato - Tempo
Simple Meter
String Orchestra
Tempo - Misc.
|
| Las Quatro Estaciones Porteñas: Primavera Porteña (Spring) |
Piazzola
|
6:00
|
Allegro
Arrangement
Concerto
Fugue
Imitation - Composition Technique
Imitation - Counterpoint
Imitation - Melody
Motif
String Orchestra
Tempo - Misc.
|
| Las Quatro Estaciones Porteñas: Verano Porteño (Summer) |
Piazzola
|
6:30
|
Allegro
Arrangement
Call and Response
Concerto
Dissonance
Glissando
Ostinato - Composition Technique
Ostinato - Form
String Orchestra
Tempo - Misc.
|
| Three Latin American Dances - III. The Mestizo Waltz |
Lena Frank
|
3:13
|
Brass Instruments
Compound Meter
Meter - Misc.
Symphony Orchestra
Ternary Form
|
| Afrâh ash-Shabâb (The Joys of Youth) |
Al-Khammash
|
2:06
|
Allegro
Arpeggio - Melodic
Chords
Duple Meter
Major Tonality
Ornamentation - Expressive Elements
Melodic Ornamentation
Modulation - Composition Technique
Modulation - Harmony
Rhythmic Pattern - Composition Technique
Rhythmic Pattern
Rondo Form
Tremolo
Melodic Sequence
Sequence - Composition Technique
|
| Zoom |
Okpebholo
|
6:35
|
Allegro
Imitation - Composition Technique
Mixed Ensemble
Rhythmic Pattern
Rhythmic Pattern - Composition Technique
String Orchestra
|
| Ignition |
Day
|
4:08
|
Brass Instruments
Contrast
Mixed Meter
Quartet
Melody - Misc.
Vivace
|
| among Verticals: Movement II |
Lancaster
|
7:20
|
Extended Technique - Composition Technique
Interval
Solo
Woodwind Instruments
|
| Elegy: In Memoriam of Stephen Lawrence |
Herbert
|
6:51
|
Form - Misc.
Legato
Melody - Misc.
Rondo Form
String Orchestra
String Instruments
|
| From the Embers of Silence |
Herbert
|
5:53
|
Disjunct Motion - Melody
Solo
|
| Solicitudo |
Herbert
|
4:50
|
Contrast
Monophony
Ternary Form
|
| Bassoon Sonata |
Kay
|
5:37
|
Duo / Duet
Free Tonality / Pantonality
Motif
Sonata
Woodwind Instruments
|
| there is only you and i |
Green
|
6:52
|
Avant-Garde / Experimental
Extended Technique - Composition Technique
Extended Technique - Expressive Elements
Live Instruments with Electronics
Non-Metric
Solo
Woodwind Instruments
|
| Against/Sharp |
Green
|
4:58
|
Allegro
Chamber Group
Rhythmic Pattern
Rhythmic Pattern - Composition Technique
|
| Umoja |
Coleman
|
2:46
|
Allegro
Compound Meter
Duple Meter
Interval
Meter - Misc.
Polyphony
Tempo - Misc.
Texture - Misc.
Quintet
Woodwind Instruments
|
| Joy Boy |
Eastman
|
7:32
|
Improvisation - Form
Chordal Texture
Chordal Texture - Harmony
Harmonic Inversion
Harmonic Motion
Harmonic Rhythm
Non-Metric
Quartet
Texture - Misc.
Timbre - Instruments
Woodwind Instruments
|
| The Holy Presence of Joan d'Arc |
Eastman
|
20:00
|
Contrast
Cello Ensemble
Imitation - Composition Technique
Imitation - Counterpoint
Imitation - Melody
Largo
Ostinato - Composition Technique
Ostinato - Form
String Instruments
Tempo - Misc.
Texture - Misc.
|
| Buddha |
Eastman
|
8:15
|
Chamber Group
Dynamics - Expressive Elements
Improvisation - Form
Non-Metric
Octet
Texture - Misc.
Timbre - Instruments
|
| Femenine |
Eastman
|
1:10:45
|
Chordal Texture
Chordal Texture - Harmony
Heterophony
Homophony
Ostinato - Composition Technique
Ostinato - Form
Texture - Misc.
Chamber Group
|
| Violin Concerto Opus 5 - Movement I. Allegro Moderato |
Bologne, Chevalier de Saint Georges
|
8:30
|
Allegro
Concerto
Solo and Ensemble
|
| Violin Concerto Opus 5 - Movement II. Largo |
Bologne, Chevalier de Saint Georges
|
6:20
|
Concerto
Cadenza - Form
Solo and Ensemble
|
| Violin Concerto Opus 5 - Movement III. Rondeau |
Bologne, Chevalier de Saint Georges
|
4:30
|
Concerto
Presto
Rondo Form
Solo and Ensemble
|
| Third Sonata for Two Violins: Movement I |
Bologne, Chevalier de Saint Georges
|
5:11
|
Duo / Duet
String Instruments
Sonata
Sonata Form
|
| Third Sonata for Two Violins: Movement II Aria con Variatione |
Bologne, Chevalier de Saint Georges
|
5:11
|
Duo / Duet
Melodic Ornamentation
Ornamentation - Composition Technique
String Instruments
Sonata
Theme and Variation - Composition Technique
Theme and Variation - Form
|
| Symphony No. 1 “Afro-American” Movement II - Sorrow |
Grant Still
|
5:53
|
Adagio
Harmonic Motion
Legato
Symphony
Symphony Orchestra
Tempo - Misc.
|
| Symphony No. 3 "Sunday Symphony" Movement I - "The Awakening" |
Grant Still
|
3:45
|
Imitation - Composition Technique
Imitation - Melody
Moderato
Motif
Rhythmic Pattern
Rhythmic Pattern - Composition Technique
Symphony
Symphony Orchestra
Tempo - Misc.
|
| Symphony No. 3 "Sunday Symphony" Movement II - "Prayer" |
Grant Still
|
6:30
|
Adagio
Symphony
Symphony Orchestra
Tempo - Misc.
Woodwind Instruments
|
| Symphony No. 3 "Sunday Symphony" Movement III - "Relaxation" |
Grant Still
|
2:30
|
Form - Misc.
Rhythmic Pattern
Rhythmic Pattern - Composition Technique
Scherzo
Staccato
Symphony
Symphony Orchestra
Ternary Form
|
| Symphony No. 3 "Sunday Symphony" Movement IV - "Days End and a New Beginning" |
Grant Still
|
4:00
|
Compound Meter
Form - Misc.
Imitation - Composition Technique
Imitation - Counterpoint
Imitation - Melody
Meter - Misc.
Motif
Rhythmic Pattern
Rhythmic Pattern - Composition Technique
Symphony
Symphony Orchestra
Ternary Form
|
| Festive Overture |
Grant Still
|
7:49
|
Allegro
Adagio
Compound Meter
Duple Meter
Overture
Symphony Orchestra
|
| Montgomery Variations: I. The Decision |
Bonds
|
2:04
|
Accent
Andante
Duple Meter
Form - Misc.
Melody - Misc.
Meter - Misc.
Symphony Orchestra
Ternary Form
Theme and Variation - Form
Theme and Variation - Composition Technique
|
| Montgomery Variations: II. Prayer Meeting |
Bonds
|
4:39
|
Contrast
Parallel Motion
Pentatonic Scale
Quadruple Meter
Symphony Orchestra
|
| Montgomery Variations: III. March |
Bonds
|
3:38
|
Imitation - Melody
Melody - Misc.
Quadruple Meter
Simple Meter
Symphony Orchestra
Woodwind Instruments
|
| Montgomery Variations: IV. Dawn in Dixie |
Bonds
|
2:50
|
Bass Line
Chords
Harmonic Progression - Composition Technique
Harmonic Progression
Simple Meter
Symphony Orchestra
Triple Meter
|
| Montgomery Variations: V. One Sunday in the South |
Bonds
|
3:33
|
Arpeggio - Composition Technique
Arpeggio - Harmonic
Arpeggio - Melodic
Arrangement
Harmony - Misc.
Legato
Major Tonality
Melody - Misc.
Phrase - Expressive Elements
Phrase - Melody
Symphony Orchestra
Theme and Variation - Form
Theme and Variation - Composition Technique
Texture - Misc.
|
| Montgomery Variations: VI. Lament |
Bonds
|
3:08
|
Arpeggio - Melodic
Counterpoint - Misc.
Homophony
Monophony
Polyphony
Melody - Misc.
Minor Tonality
Quadruple Meter
Symphony Orchestra
Texture - Misc.
Unison
|
| Montgomery Variations: VII. Benediction |
Bonds
|
5:39
|
Binary Form
Form - Misc.
Melody - Misc.
Quadruple Meter
Simple Meter
Symphony Orchestra
|
| First Rain |
Timothy
|
5:12
|
Adagio
Bass Line
Chords
Duple Meter
Form - Misc.
Interval
Ostinato - Composition Technique
Ostinato - Form
Solo - Piano
|
| Radhe-Shyam |
Coltrane
|
5:15
|
Largo
Non-Metric
String Instruments
String Orchestra
Solo and Ensemble
|
| Wisdom Eye |
Coltrane
|
2:17
|
Arpeggio - Harmonic
Non-Metric
Solo
String Instruments
|
| Er Ra |
Coltrane
|
2:47
|
Arrangement
Motif
Ricochet
Texture - Misc.
Quartet
Unison
|
| Galaxy in Turiya |
Coltrane
|
9:50
|
Contour
Disjunct Motion - Melody
Mixed Ensemble
|
| Amen! |
Simon
|
13:00
|
Accent
Articulation - Misc.
Brass Instruments
Band
Chordal Texture
Chordal Texture - Harmony
Chords
Harmonic Motion
Harmony - Misc.
Homophony
Imitation - Composition Technique
Imitation - Counterpoint
Imitation - Melody
Mixed Meter
Parallel Motion
Percussion Instruments
Ritardando - Tempo
Syncopation
|
| Come Sunday: Movement I. Testimony |
Thomas
|
6:30
|
Band
Improvisation - Expressive Elements
Improvisation - Melody
Solo and Ensemble
Woodwind Instruments
|
| Come Sunday: Movement II. Shout |
Thomas
|
5:30
|
Band
Bass Line
Allegro
Syncopation
Dynamics - Composition Technique
Dynamics - Expressive Elements
Modulation - Composition Technique
Modulation - Harmony
Tempo - Misc.
|
| Romance in G Major for Violin and Orchestra |
Coleridge-Taylor
|
12:00
|
Harmony - Misc.
Modulation - Composition Technique
Modulation - Harmony
Solo and Ensemble
Sonata Form
|
| Epitaph for a Man Who Dreamed |
Hailstork
|
8:23
|
Chords
Largo
Meter - Misc.
Quadruple Meter
Simple Meter
String Instruments
Symphony Orchestra
Tempo - Misc.
|
| Celebration |
Hailstork
|
3:20
|
Accent
Band
Mixed Meter
Rhythmic Pattern
|
| American Port of Call |
Hailstork
|
8:45
|
Allegro
Disjunct Motion - Counterpoint
Disjunct Motion - Melody
Interval
Mixed Meter
Trill
Symphony Orchestra
|
| Sonata da Chiesa |
Hailstork
|
18:00
|
Allegro
Chords
Chordal Texture
Chordal Texture - Harmony
Contrast
Homophony
Largo
String Orchestra
Tempo - Misc.
|
| Homage |
Powell Perry
|
4:22
|
Adagio
Cadence
Contour
Contrary Motion
Counterpoint - Misc.
Conjunct Motion - Counterpoint
Melody - Misc.
Oblique Motion
Parallel Motion
Phrase - Expressive Elements
Phrase - Melody
Solo - Piano
Tempo - Misc.
|
| Piano Potpourri No. 2 Orrin and Echo |
Powell Perry
|
0:45
|
Cadence
Form - Misc.
Harmonic Inversion
Harmonic Progression
Harmonic Progression - Composition Technique
Imitation - Melody
Major Tonality
Melody - Misc.
Pentatonic Scale
Solo - Piano
|
| Calusa Corn Dance |
Impichchaachaaha’ Tate
|
1:09
|
Accent
Articulation - Misc.
Meter - Misc.
Mixed Meter
Oblique Motion
Ostinato - Composition Technique
Ostinato - Form
Rhythmic Pattern
Rhythmic Pattern - Composition Technique
Quartet
Tempo - Misc.
Allegro
Vivace
String Instruments
|
| Chokfi |
Impichchaachaaha’ Tate
|
8:49
|
Allegro
Largo
Meter - Misc.
Mixed Ensemble
Mixed Meter
Tempo - Misc.
Ternary Form
|
| Transcend: I. Pulse |
Tian
|
9:00
|
Adagio
Andante
Vivace
Symphony Orchestra
Tempo - Misc.
|
| Transcend: II. Promise |
Tian
|
9:00
|
Atonal/Atonality
Bitonality
Dissonance
Modal
Symphony Orchestra
Whole Tone Scale
Woodwind Instruments
|
| Transcend: III. D-O-N-E |
Tian
|
4:40
|
Rhythmic Pattern
Rhythmic Pattern - Composition Technique
Symphony Orchestra
Tempo - Misc.
Vivace
|
| ...Like Water - First Movement |
Lam
|
3:17
|
Counterpoint - Misc.
Percussion Instruments
Polyphony
Trio
Whole Tone Scale
Modal
|
| Six Phenomena: III. Bubbles |
Lam
|
3:13
|
Atonal/Atonality
Disjunct Motion - Counterpoint
Non-Metric
Range - Composition Technique
Range - Expressive Elements
Solo - Piano
|
| Advice from a Caterpillar (from “Alice in Wonderland”) |
Chin
|
6:45
|
Atonal/Atonality
Avant-Garde / Experimental
Chromatic
Contour
Extended Technique - Composition Technique
Extended Technique - Expressive Elements
Non-Metric
Solo
Woodwind Instruments
|
| Seven Tunes Heard in China: VII. Tibetan Dance |
Sheng
|
3:15
|
Bitonality
Form - Misc.
Oblique Motion
Solo
|
| SUBMERGED |
del Aguila
|
9:06
|
Atonal/Atonality
Bitonality
Compound Meter
Form - Misc.
Extended Technique - Composition Technique
Extended Technique - Expressive Elements
String Instruments
Trio
Whole Tone Scale
|
| Lullaby |
Bangambula Vindu
|
2:13
|
Counterpoint - Misc.
Ostinato - Composition Technique
Ostinato - Form
Mixed Meter
Simple Meter
Solo - Piano
|
| Etude in G Minor |
Adams
|
6:25
|
Etude
Melody - Misc.
Minor Tonality
Solo - Piano
Ternary Form
Triplet
|
| Etude in G Major |
Adams
|
6:42
|
Etude
Major Tonality
Rondo Form
Solo - Piano
|
| Etude in C Major |
Adams
|
2:07
|
Etude
Form - Misc.
Major Tonality
Melodic Ornamentation
Ornamentation - Composition Technique
Quadruple Meter
Range - Composition Technique
Simple Meter
Solo - Piano
Theme and Variation - Composition Technique
Theme and Variation - Form
|
| Etude in D Major |
Adams
|
3:30
|
Etude
Form - Misc.
Major Tonality
Minor Tonality
Solo - Piano
Range - Composition Technique
Rondo Form
|
| Piano Quintet |
Viana
|
7:00
|
Ostinato - Composition Technique
Ostinato - Form
Quintet
Texture - Misc.
|
| Night Song |
Al Abaca
|
5:08
|
Brass Instruments
Chords
Melody - Misc.
Quartet
|
| Maple Leaf Rag |
Joplin
|
2:45
|
Bass Line
Chords
Duple Meter
Form - Misc.
Solo - Piano
Syncopation
|
| Suite for Violin and Piano: I. African Dancer |
Grant Still
|
4:19
|
Contrast
Duo / Duet
Hemiola
Suite
Tempo - Misc.
Vivace
|
| Africa Symphonic Poem: III Land of Superstition |
Grant Still
|
8:12
|
Contrast
Interval
Simple Meter
Symphony Orchestra
|
| Lyric for Strings |
Walker
|
6:23
|
Conjunct Motion - Counterpoint
Counterpoint - Misc.
Largo
Legato
Range - Melody
Range - Composition Technique
Range - Expressive Elements
Range - Texture
String Orchestra
Tempo - Misc.
|
| Danzón No. 2 |
Marquez
|
9:10
|
Accelerando
Tempo - Misc.
Disjunct Motion - Melody
Interval
Modulation - Composition Technique
Harmony - Misc.
Minor Tonality
Symphony Orchestra
Syncopation
|
| Tumbao |
León
|
2:13
|
Accent
Articulation - Misc.
Dissonance
Rhythmic Pattern - Composition Technique
Rhythmic Pattern
Solo - Piano
Staccato
|
| Rítmicas: Movement IV |
León
|
3:30
|
Avant-Garde / Experimental
Chamber Group
Dissonance
Improvisation - Form
Moderato
Syncopation
Tempo - Misc.
|
| Axon |
León
|
12:00
|
Atonal/Atonality
Avant-Garde / Experimental
Disjunct Motion - Melody
Live Instruments with Electronics
Non-Metric
|
| Alegre |
León
|
2:54
|
Allegro
Band
Chordal Texture
Chordal Texture - Harmony
Homophony
Improvisation - Expressive Elements
Improvisation - Form
Improvisation - Melody
Percussion Instruments
|
| Mobius |
Bailey Holland
|
4:42
|
Arpeggio - Composition Technique
Arpeggio - Harmonic
Chordal Texture
Chordal Texture - Harmony
Contour
Conjunct Motion - Counterpoint
Imitation - Composition Technique
Imitation - Counterpoint
Quartet
Unison
|
| Voices Shouting Out |
Okoye
|
4:25
|
Duple Meter
Dynamics - Composition Technique
Dynamics - Expressive Elements
Form - Misc.
Legato
Meter - Misc.
Ostinato - Composition Technique
Ostinato - Form
Simple Meter
Staccato
Symphony Orchestra
Ternary Form
Terraced Dynamics - Composition Technique
Terraced Dynamics - Expressive Elements
Timbre - Composition Technique
Timbre - Instruments
|
| African Sketches: II. Dusk |
Okoye
|
2:57
|
Adagio
Chords
Contour
Parallel Motion
Solo - Piano
Tempo - Misc.
|
| Modes for String Quartet: I. Moderato |
Rudd Moore
|
3:07
|
Counterpoint - Misc.
Fugue
Imitation - Composition Technique
Imitation - Counterpoint
Imitation - Melody
Moderato
Polyphony
Quartet
Tempo - Misc.
|
| Clarinet Concerto: Movement II. Danzas Volcanicas |
Benzecry
|
4:32
|
Articulation - Misc.
Atonal/Atonality
Concerto
Disjunct Motion - Melody
Dissonance
Percussion Instruments
Solo and Ensemble
Symphony Orchestra
Woodwind Instruments
|
| Suite Venezolana: Movement I. Registro |
Lauro
|
1:25
|
Accelerando
Ritardando - Expressive Elements
Rubato - Expressive Elements
Rubato - Tempo
Solo
Suite
|
| Variaciones sobre un tema infantil venezolano: Tema (Theme) |
Lauro
|
1:49
|
Bass Line
Duple Meter
Form - Misc.
Major Tonality
Phrase - Melody
Solo
String Instruments
Theme and Variation - Composition Technique
Theme and Variation - Form
|
| Variaciones sobre un tema infantil venezolano: Variation 1 |
Lauro
|
1:49
|
Compound Meter
Duple Meter
Phrase - Melody
Solo
String Instruments
Theme and Variation - Composition Technique
Theme and Variation - Form
|
| Variaciones sobre un tema infantil venezolano: Variation 3 |
Lauro
|
2:07
|
Adagio
Conjunct Motion - Melody
Harmonic Motion
Harmonic Rhythm
Minor Tonality
String Instruments
Solo
Tempo - Misc.
Triple Meter
|
| Life Lines |
Joachim
|
5:40
|
Arpeggio - Composition Technique
Arpeggio - Harmonic
Arpeggio - Melodic
Live Instruments with Electronics
Percussion Instruments
Polyphony
Rhythmic Duration
Staccato
Trio
Triplet
Vivace
Woodwind Instruments
|
| Candy Candy |
Flutronix
|
3:32
|
Arrangement
Bass Line
Percussion Instruments
Polyphony
Solfege
Tempo - Misc.
Trio
Vivace
Woodwind Instruments
|
| Madan Bellgarde |
Joachim
|
6:55
|
Arrangement
Counterpoint - Misc.
Form - Misc.
Homophony
Imitation - Composition Technique
Imitation - Counterpoint
Imitation - Melody
Live Instruments with Electronics
Melody - Misc.
Oblique Motion
Parallel Motion
Polyphony
Quintet
Texture - Misc.
Theme and Variation - Composition Technique
Theme and Variation - Form
Timbre - Composition Technique
Timbre - Instruments
|
| The Disappearance of Lisa Gherardini |
Wijeratne
|
10:52
|
Adagio
Mixed Meter
Quartet
Ritardando - Tempo
Ritardando - Expressive Elements
String Instruments
Tempo - Misc.
Vivace
|
| Pessoa - for Bass Flute and Electronics [Excerpt] |
Balter
|
8:45
|
Accent
Atonal/Atonality
Disjunct Motion - Counterpoint
Live Instruments with Electronics
Non-Metric
Phrase - Expressive Elements
Phrase - Melody
Solo
Woodwind Instruments
|
| Wicker Park |
Balter
|
9:14
|
Avant-Garde / Experimental
Dynamics - Expressive Elements
Dynamics - Composition Technique
Melodic Ornamentation
Non-Metric
Ornamentation - Composition Technique
Rhythmic Duration
Solo
Trill
Woodwind Instruments
|
| Pan (Excerpt: Finale) |
Balter
|
3:30
|
Contour
Disjunct Motion - Melody
Live Instruments with Electronics
Non-Metric
Percussion Instruments
Solo
Woodwind Instruments
|
| Dreamcatcher |
Balter
|
3:13
|
Rhythmic Pattern
Rhythmic Pattern - Composition Technique
Vivace
|
| Wanting Memories |
Barnwell
|
4:25
|
Bass Line
Chorus
Disjunct Motion - Counterpoint
Harmony - Misc.
Homophony
Interval
Major Tonality
Moderato
Ostinato - Composition Technique
Ostinato - Form
Phrase - Melody
Refrain
Rhythmic Duration
Syncopation
Tempo - Misc.
Solfege
|
| On Children |
Barnwell
|
1:46
|
Arrangement
Chorus
Form - Misc.
Harmony - Misc.
Homophony
Major Tonality
Moderato
|
| Dos Cuerpos (Two Bodies) |
Morales
|
4:37
|
Chorus
Legato
Motif
Phrase - Expressive Elements
Phrase - Melody
Solfege
Text Painting - Expressive Elements
Text Painting - Melody
|
| Say Her Name |
Lee
|
3:50
|
Andante
Chorus
Conjunct Motion - Melody
Counterpoint - Misc.
Harmony - Misc.
Interval
Melody - Misc.
Minor Tonality
Parallel Motion
Phrase - Expressive Elements
Phrase - Melody
Quadruple Meter
Refrain
Rhythmic Pattern - Composition Technique
Rhythmic Pattern
Simple Meter
Solfege
Solo and Ensemble
Texture - Misc.
Unison
|
| African Suite: V. Akinla |
Sowande
|
3:14
|
Form - Misc.
Imitation - Melody
Major Tonality
Melody - Misc.
Pizzicato
Solfege
String Orchestra
Suite
Theme and Variation - Form
Triplet
|
| Ella's Song: We Who Believe in Freedom Cannot Rest |
Reagon
|
4:10
|
Arrangement
Chorus
Harmonic Motion
Harmonic Progression
Harmony - Misc.
Imitation - Melody
Pentatonic Scale
Refrain
Solo and Ensemble
|
| Meri Sakhi Ki Avaaz - I. Dō Kaliyaan / Two Flowers |
Esmail
|
6:20
|
Arrangement
Call and Response
Contour
Duo / Duet
Live Instruments with Electronics
Solo and Ensemble
Symphony Orchestra
|
| Meri Sakhi Ki Avaaz - II. Meri Sakhi ki Avaaz / Sweet is the Voice |
Esmail
|
8:30
|
Contour
Duo / Duet
Interval
Ornamentation - Expressive Elements
Melodic Ornamentation
Solo and Ensemble
Symphony Orchestra
Text Painting - Expressive Elements
Text Painting - Melody
|
| Meri Sakhi Ki Avaaz - III. Mirror | Opposite / Aks aur Saaya |
Esmail
|
5:50
|
Call and Response
Duo / Duet
Interval
Mixed Meter
Ornamentation - Expressive Elements
Pizzicato
Rhythmic Pattern - Composition Technique
Rhythmic Pattern
Solfege
Solo and Ensemble
Symphony Orchestra
Text Painting - Expressive Elements
Text Painting - Melody
|
| Darshan - III. Charukeshi |
Esmail
|
5:10
|
Extended Technique - Composition Technique
Extended Technique - Expressive Elements
Oblique Motion
Phrase - Expressive Elements
Phrase - Melody
Solo
String Instruments
|
| Lacrimosa (from Malhaar: A Requiem for Water) |
Esmail
|
7:00
|
Chorus
Largo
Minor Tonality
Oblique Motion
Percussion Instruments
Solo and Ensemble
|
| Lammaa Badaa Yatathanaa (When My Beloved Begins to Sway) |
Traditional
|
3:45
|
Arrangement
Chorus
Minor Tonality
Mixed Meter
Ostinato - Composition Technique
Ostinato - Form
Trio
|
| His Eye is On the Sparrow |
Ellis
|
5:00
|
Arrangement
Improvisation - Expressive Elements
Improvisation - Form
Major Tonality
Non-Metric
Percussion Instruments
Solo
Tremolo
|
| Lead With Love |
DeMore
|
2:36
|
Bass Line
Call and Response
Chorus
Contrary Motion
Counterpoint - Misc.
Interval
Minor Tonality
Polyphony
Refrain
Ritardando - Expressive Elements
Ritardando - Tempo
Terraced Dynamics - Composition Technique
Terraced Dynamics - Expressive Elements
|
| Sewing Song |
Wiggins
|
06:13
|
Arpeggio - Composition Technique
Arpeggio - Harmonic
Harmonic Progression
Harmonic Progression - Composition Technique
Modulation - Composition Technique
Modulation - Harmony
Solo - Piano
Text Painting - Expressive Elements
|
| Partita on "Detroit" |
Hurd
|
13:30
|
Arrangement
Canon
Fugue
Inversion - Composition Technique
Ostinato - Composition Technique
Ostinato - Form
Solo
Theme and Variation - Composition Technique
Theme and Variation - Form
|
| Toast of the Town Overture |
Mason
|
07:37
|
Overture
Vivace
Symphony Orchestra
|
| Tea en mi casa |
figgis-vizueta
|
11:30
|
Improvisation - Form
Non-Metric
Quartet
|
| Marimba Concertino: “Communion” Movement I [Excerpt] |
Harris Baiocchi
|
1:46
|
Canon
Mixed Ensemble
Sextet
|
| Prelude II. Poor Mourner’s Got a Home |
M. Cheatham
|
1:40
|
Arrangement
Chords
Polyphony
Prelude
Harmony - Misc.
Range - Composition Technique
Range - Expressive Elements
Range - Texture
Solo - Piano
|
| Dream of the Cherry Blossoms |
Abe
|
04:52
|
Arrangement
Melody - Misc.
Solo
|
| Seville Orange Tree |
Sabet
|
04:40
|
Homophony
Parallel Motion
Duo / Duet
Woodwind Instruments
|
| Veiled |
Nourbakhsh
|
08:40
|
Duo / Duet
Texture - Misc.
Live Instruments with Electronics
|
| Love, Loss, and Exile (Women’s Poems from Afghanistan) Movement I: Love |
Bansal
|
05:15
|
Aria / Art Song
Arpeggio - Composition Technique
Arpeggio - Harmonic
Dynamics - Composition Technique
Dynamics - Expressive Elements
Phrase - Expressive Elements
Non-Metric
Phrase - Melody
Text Painting - Melody
Text Painting - Expressive Elements
Timbre - Composition Technique
Trio
|
| Love, Loss, and Exile (Women’s Poems from Afghanistan) Movement III: Grief |
Bansal
|
04:13
|
Aria / Art Song
Imitation - Composition Technique
Largo
Trio
|
| Love, Loss, and Exile (Women’s Poems from Afghanistan) Movement IV: Exile |
Bansal
|
02:21
|
Aria / Art Song
Non-Metric
Oblique Motion
Ornamentation - Composition Technique
Ornamentation - Expressive Elements
Trio
|
| The Lions Have Their Own Historians |
M. Fitzhugh
|
01:00
|
Col Legno
Solo
|
| Suite from Carbon Song Cycle: Movement III. Biosphere |
Z
|
03:52
|
Avant-Garde / Experimental
Extended Technique - Composition Technique
Extended Technique - Expressive Elements
Mixed Ensemble
Suite
|
| Suite from Carbon Song Cycle: Movement IV. The Heat |
Z
|
04:30
|
Live Instruments with Electronics
Ostinato - Composition Technique
Ostinato - Form
Mixed Ensemble
Suite
|
| everythingfeelsthesame |
Sankoh
|
07:50
|
Ostinato - Composition Technique
Ostinato - Form
String Instruments
Solo
Ternary Form
|
| Atraente |
Gonzaga
|
2:15
|
Duple Meter
Fermata
Ritardando - Tempo
Rondo Form
Solo - Piano
Syncopation
|
| Improvisation on “We Shall Overcome” |
Haywood
|
05:17
|
Arpeggio - Harmonic
Arrangement
Improvisation - Form
Solo
Woodwind Instruments
|
| Halley’s Comet |
W. Moore
|
03:30
|
Harmonic Motion
Percussion Instruments
Solo
|
| “Freedom Is Breathing” for George Floyd |
Nabors
|
11:02
|
Dynamics - Composition Technique
Dynamics - Expressive Elements
Double Stops
Glissando
Range - Composition Technique
Range - Expressive Elements
Range - Texture
String Instruments
Timbre - Composition Technique
Trio
|
| Theme and Variations for Solo Violin |
Nabors
|
06:41
|
Arpeggio - Composition Technique
Arpeggio - Melodic
Double Stops
Extended Technique - Composition Technique
Extended Technique - Expressive Elements
Glissando
Oblique Motion
Theme and Variation - Form
Theme and Variation - Composition Technique
Trill
Solo
Pizzicato
|
| Miles Per Hour |
Harris Baiocchi
|
02:38
|
Brass Instruments
Call and Response
Duo / Duet
|
| Overture to L'Amant anonyme, Movement I. Presto |
Bologne, Chevalier de Saint Georges
|
05:19
|
Binary Form
Ornamentation - Expressive Elements
Melodic Ornamentation
Overture
Terraced Dynamics - Composition Technique
Terraced Dynamics - Expressive Elements
Symphony Orchestra
|
| Overture to L'Amant anonyme, Movement II. Andante |
Bologne, Chevalier de Saint Georges
|
01:53
|
Andante
Overture
Symphony Orchestra
|
| Overture to L'Amant anonyme, Movement III. Presto |
Bologne, Chevalier de Saint Georges
|
02:46
|
Call and Response
Form - Misc.
Modulation - Composition Technique
Modulation - Harmony
Overture
Presto
Terraced Dynamics - Composition Technique
Terraced Dynamics - Expressive Elements
Symphony Orchestra
|
| Glimmers: Movement I. Mylar Tremors |
Bhatia
|
02:35
|
Chordal Texture
Chordal Texture - Harmony
Dynamics - Composition Technique
Dynamics - Expressive Elements
Homophony
Largo
String Instruments
Tremolo
Quartet
|
| Glimmers: Movement II. Signal Lamps |
Bhatia
|
02:30
|
Ostinato - Composition Technique
Ostinato - Form
Pizzicato
Quadruple Meter
Quartet
Rhythmic Pattern - Composition Technique
Rhythmic Pattern
Simple Meter
Syncopation
|
| Glimmers: Movement III. Resonant Light |
Bhatia
|
03:30
|
Chordal Texture
Extended Technique - Composition Technique
Legato
Range - Composition Technique
Range - Texture
Rhythmic Duration
String Instruments
Quartet
|
| Etude for Drums |
Ibarra
|
03:50
|
Etude
Percussion Instruments
Solo
|
| Pulsation |
Ibarra
|
07:25
|
Contrast
Glissando
Mixed Ensemble
Moderato
Motif
Pizzicato
Quadruple Meter
Quintet
Rhythmic Duration
Simple Meter
Triplet
|
| Anxious Dreams |
T. Carter
|
07:30
|
Harmony - Misc.
Motif
Texture - Misc.
Unison
Woodwind Instruments
Trio
|
| Five Moments in Color: Soul of Remembrance |
Watkins
|
06:00
|
Largo
Legato
Melody - Misc.
Phrase - Expressive Elements
Phrase - Melody
Quadruple Meter
Range - Composition Technique
Rhythmic Duration
Symphony Orchestra
Tempo - Misc.
|
| Snow White and the Seven Dwarfs: Snow White’s Dance |
Alberga
|
04:30
|
Mixed Meter
Timbre - Composition Technique
Timbre - Instruments
Symphony Orchestra
|
| Snow White and the Seven Dwarfs: Mirror’s Dance |
Alberga
|
02:12
|
Counterpoint - Misc.
Dissonance
Polyphony
Timbre - Instruments
Symphony Orchestra
|
| Snow White and the Seven Dwarfs: Escape Dance |
Alberga
|
01:20
|
Compound Meter
Dynamics - Composition Technique
Dynamics - Expressive Elements
Vivace
Symphony Orchestra
|
| Un dia de Noviembre |
Brouwer
|
3:30
|
Bass Line
Harmonic Inversion
Harmonic Progression
Harmonic Progression - Composition Technique
Minor Tonality
Rondo Form
Solfege
Solo
String Instruments
Triple Meter
|
| Why Did They Kill Sandra Bland? |
Bernard Roumain
|
05:45
|
Contour
Minor Tonality
Range - Expressive Elements
Range - Melody
Solo
String Instruments
|
| Portraits of Langston: VI. Harlem’s Summer Night |
Coleman
|
03:30
|
Call and Response
Form - Misc.
Imitation - Melody
Legato
Melody - Misc.
Trio
|
| 24 Studies in African Rhythms: Study No. 3 “Udje” |
Onovwerosuoke
|
01:25
|
Compound Meter
Duplet
Rhythmic Pattern - Composition Technique
Rhythmic Pattern
Solo - Piano
|
| 24 Studies in African Rhythms: Study No. 8 "Ayevwiomo Dance 1" |
Onovwerosuoke
|
01:52
|
Compound Meter
Duple Meter
Meter - Misc.
Mixed Meter
Simple Meter
Solo - Piano
Triple Meter
|
| 24 Studies in African Rhythms: Study No. 11 “Ayevwiomo Dance 3” |
Onovwerosuoke
|
01:52
|
Hemiola
Mixed Meter
Solo - Piano
|
| 24 Studies in African Rhythms: Study No. 24 “Raging River Dance 2” |
Onovwerosuoke
|
02:26
|
Mixed Meter
Rhythmic Pattern - Composition Technique
Rhythmic Pattern
Solo - Piano
|
| Nigerian Suite Mvmt V. Warrior March |
Bankole
|
00:47
|
Dissonance
Percussion Instruments
Solo - Piano
Staccato
Suite
|
| African Suite: IV. Mase Jina Sagiri |
Bankole
|
03:57
|
Percussion Instruments
Range - Composition Technique
Range - Melody
Range - Texture
Solo - Piano
Suite
|
| Piano Sonata No. 2 in C Major, “The Passion” - III. Mary’s Rondo |
Bankole
|
04:29
|
Contrast
Rondo Form
Sonata
Solo - Piano
|
| 3 Yoruba Songs Without Words: I. Ore meta |
Euba
|
01:54
|
Allegro
Duo / Duet
Compound Meter
Major Tonality
Percussion Instruments
|
| 3 Yoruba Songs Without Words: II. Mo ja’we gbegbe |
Euba
|
02:05
|
Chromatic
Harmonic Motion
Quadruple Meter
Percussion Instruments
Duo / Duet
|
| 3 Yoruba Songs Without Words: III. Lori oke ati petele |
Euba
|
02:16
|
Chords
Duo / Duet
Percussion Instruments
Rhythmic Duration
|
| Ekele (Greeting) |
Onyeji
|
00:56
|
Compound Meter
Contrast
Duple Meter
Interval
Major Tonality
Solo - Piano
Syncopation
|
| Ufie: III. Fast |
Onyeji
|
02:03
|
Contour
Range - Composition Technique
Range - Texture
Rhythmic Duration
Solo - Piano
Vivace
|
| Dagarti Work Song |
Kwabena Nketia
|
01:20
|
Allegro
Articulation - Misc.
Duple Meter
Minor Tonality
Solo - Piano
|
| Fantasy for Violin and Orchestra: The Freedom Train |
Williams
|
05:00
|
Contrast
Fantasy
Legato
Melodic Ornamentation
Solo and Ensemble
|
| Moemi: Mvmt. I “Mo” [Excerpt] |
Odgers
|
05:23
|
Cadenza - Form
Concerto
Percussion Instruments
Rhythmic Duration
Tremolo
Solo and Ensemble
|
| Moemi: Mvmt. II “E” |
Odgers
|
05:09
|
Concerto
Hemiola
Percussion Instruments
Pizzicato
Rhythmic Pattern - Composition Technique
Rhythmic Pattern
Solo and Ensemble
|
| Moemi: Mvmt. III “Mi” |
Odgers
|
07:24
|
Concerto
Percussion Instruments
Staccato
Solo and Ensemble
|
| Levee Dance Op. 26 No. 2 |
Cameron White
|
03:29
|
Contrast
Double Stops
Duo / Duet
Duple Meter
Ternary Form
Solo
String Instruments
Syncopation
|
| Lux Aeterna |
Williams
|
07:53
|
Brass Instruments
Canon
Fantasy
Form - Misc.
Imitation - Composition Technique
Imitation - Melody
Legato
Staccato
Quintet
|
| Quartet for Saxophones: I |
Williams
|
02:05
|
Dynamics - Composition Technique
Dynamics - Expressive Elements
Quartet
Texture - Misc.
Woodwind Instruments
|
| Quartet for Saxophones: II |
Williams
|
02:30
|
Chords
Dynamics - Composition Technique
Dynamics - Expressive Elements
Homophony
Quartet
Woodwind Instruments
|
| Quartet for Saxophones: III |
Williams
|
04:05
|
Heterophony
Ostinato - Composition Technique
Ostinato - Form
Quartet
Woodwind Instruments
|
| Quartet for Saxophones: V |
Williams
|
02:00
|
Dissonance
Interval
Woodwind Instruments
Quartet
|
| Quartet for Saxophones: VI |
Williams
|
02:25
|
Avant-Garde / Experimental
Extended Technique - Composition Technique
Woodwind Instruments
Quartet
|
| Violin Concerto in F# Minor: I. Allegro |
White
|
12:14
|
Chromatic
Concerto
Double Stops
Interval
Quadruple Meter
Range - Melody
Solo and Ensemble
Symphony Orchestra
Triplet
|
| delete/control/option |
Balter
|
10:06
|
Duo / Duet
Dynamics - Composition Technique
Dynamics - Expressive Elements
Phrase - Expressive Elements
Non-Metric
Tremolo
Trill
|
| Omolu |
Balter
|
11:30
|
Avant-Garde / Experimental
Dissonance
Extended Technique - Composition Technique
Microtonal
Solo
|
| Urban Legends |
Abels
|
10:42
|
Accent
Chordal Texture
Chordal Texture - Harmony
Free Tonality / Pantonality
Homophony
Mixed Ensemble
Mixed Meter
Rhythmic Pattern
Rhythmic Pattern - Composition Technique
String Instruments
Syncopation
Symphony Orchestra
|
| Mighty River |
Wallen
|
16:00
|
Chordal Texture
Melodic Ornamentation
Melody - Misc.
Moderato
Rhythmic Duration
Symphony Orchestra
Timbre - Instruments
|
| PoyoPoyo for Horn |
Fujikura
|
09:00
|
Avant-Garde / Experimental
Brass Instruments
Dynamics - Composition Technique
Dynamics - Expressive Elements
Extended Technique - Composition Technique
Extended Technique - Expressive Elements
Harmony - Misc.
Solo
Tremolo
|
| Ennanga: I. |
Grant Still
|
7:06
|
Cadenza - Form
Motif
Pentatonic Scale
Rhythmic Pattern - Composition Technique
Rhythmic Pattern
Septet
String Instruments
Syncopation
Ternary Form
|
| Ennanga: II. |
Grant Still
|
5:19
|
Andante
Legato
Melody - Misc.
Minor Tonality
Phrase - Expressive Elements
Phrase - Melody
Septet
String Instruments
Tempo - Misc.
Timbre - Composition Technique
Timbre - Instruments
|
| Ennanga: III. |
Grant Still
|
5:01
|
Chords
Contrast
Septet
String Instruments
Timbre - Instruments
Vivace
|
| Situation I / Incidents |
Abbasi
|
08:30
|
Avant-Garde / Experimental
Extended Technique - Composition Technique
Extended Technique - Expressive Elements
Mixed Ensemble
Septet
|
| Triptyque for String Orchestra - I. Allegro |
Akutagawa
|
03:50
|
Allegro
Articulation - Misc.
Chromatic
Interval
Rhythmic Pattern
Simple Meter
Staccato
String Instruments
String Orchestra
Tempo - Misc.
Quadruple Meter
Unison
|
| Triptyque for String Orchestra - III. Presto |
Akutagawa
|
2:57
|
Conjunct Motion - Counterpoint
Disjunct Motion - Counterpoint
Conjunct Motion - Melody
Contour
Disjunct Motion - Melody
Mixed Meter
Presto
Scherzo
Staccato
String Instruments
String Orchestra
Tempo - Misc.
|
| Triptyque for String Orchestra - II. Berceuse |
Akutagawa
|
6:18
|
Andante
Mixed Meter
Meter - Misc.
Simple Meter
String Instruments
String Orchestra
Tempo - Misc.
Tenuto
|
| Piano Concerto in G Minor Op. 10 I. Allegro un poco agitato |
Oswald
|
14:46
|
Cadenza - Form
Concerto
Chromatic
Modulation - Composition Technique
Modulation - Harmony
Syncopation
Symphony Orchestra
Solo and Ensemble
|
| Piano Concerto in G Minor Op. 10 II. Adagio |
Oswald
|
7:57
|
Adagio
Chords
Concerto
Form - Misc.
Harmonic Motion
Legato
Phrase - Melody
Phrase - Expressive Elements
Melody - Misc.
Ternary Form
Symphony Orchestra
Solo and Ensemble
|
| Prelude #2 |
Hanna
|
3:15
|
Arpeggio - Harmonic
Form - Misc.
Harmonic Motion
Prelude
Simple Meter
Triple Meter
|
| wind_down_2 |
Lancaster
|
5:18
|
Glissando
Live Instruments with Electronics
Non-Metric
Ricochet
Solo
|
| our streets |
Lancaster
|
18:54
|
Extended Technique - Composition Technique
Extended Technique - Expressive Elements
Form - Misc.
Improvisation - Form
Improvisation - Expressive Elements
Improvisation - Melody
Motif
Nonet
Non-Metric
Pizzicato
Ricochet
Spiccato
String Orchestra
|
| Gender Envy |
Lancaster
|
5:47
|
Chamber Group
Dynamics - Composition Technique
Dynamics - Expressive Elements
Ostinato - Composition Technique
Ostinato - Form
Tremolo
|
| Heloísa |
Gonzaga
|
3:15
|
Fermata
Meter - Misc.
Rubato - Expressive Elements
Rubato - Tempo
Solo - Piano
Triple Meter
Ternary Form
Waltz
|
| Choro |
Gonzaga
|
1:50
|
Duple Meter
Meter - Misc.
Solo - Piano
Syncopation
Ternary Form
|
| La Noche de los Mayas (The Night of the Mayas) I. La noche de los mayas |
Revueltas
|
5:53
|
Chordal Texture
Chordal Texture - Harmony
Harmony - Misc.
Homophony
Major Tonality
Melody - Misc.
Minor Tonality
Parallel Motion
Suite
Symphony Orchestra
|
| La Noche de los Mayas (The Night of the Mayas) II. Noche de jaranas |
Revueltas
|
5:20
|
Accent
Allegro
Articulation - Misc.
Hemiola
Mixed Meter
Scherzo
Staccato
Suite
Symphony Orchestra
|
| La Noche de los Mayas (The Night of the Mayas) III. Noche de Yucatán |
Revueltas
|
5:58
|
Attacca
Contrast
Chromatic
Suite
Symphony Orchestra
|
| La Noche de los Mayas (The Night of the Mayas) IV. Noche de encantamiento |
Revueltas
|
8:56
|
Accent
Cadenza - Form
Dissonance
Compound Meter
Percussion Instruments
Suite
Symphony Orchestra
Twelve Tone Serialism
|
| Estudos Brasileiros No. 1 |
Borges Barbosa
|
3:36
|
Phrase - Expressive Elements
Phrase - Melody
Rhythmic Duration
Solo - Piano
Triplet
|
| Estudo Brasileiro No. 5 |
Borges Barbosa
|
2:45
|
Interval
Meter - Misc.
Moderato
Phrase - Melody
Rhythmic Duration
Rhythmic Pattern
Rhythmic Pattern - Composition Technique
Solo - Piano
Syncopation
Quadruple Meter
|
| The New Bird Waltz |
Johnson
|
1:39
|
Bass Line
Brass Instruments
Cadence
Form - Misc.
Harmonic Inversion
Ternary Form
Quintet
Waltz
|
| The Cymbals |
Johnson
|
1:35
|
Bass Line
Cadence
Chords
Conjunct Motion - Counterpoint
Conjunct Motion - Melody
Disjunct Motion - Counterpoint
Disjunct Motion - Melody
Duple Meter
Harmonic Inversion
Major Tonality
Meter - Misc.
Moderato
Rondo Form
Solo - Piano
Tempo - Misc.
|
| Augustus |
Johnson
|
1:03
|
Bass Line
Chords
Duple Meter
Harmonic Progression - Composition Technique
Harmonic Progression
Rhythmic Duration
Solo - Piano
Ternary Form
|
| Southland Sketches: Introduction and Movement I |
Thacker Burleigh
|
2:30
|
Andante
Duo / Duet
Duple Meter
Fermata
Motif
Rhythmic Duration
Ritardando - Expressive Elements
Ritardando - Tempo
|
| Southland Sketches: Movement II |
Thacker Burleigh
|
2:30
|
Duo / Duet
Imitation - Melody
|
| Southland Sketches: Movement III |
Thacker Burleigh
|
3:00
|
Duo / Duet
Rhythmic Duration
|
| Southland Sketches: Movement IV |
Thacker Burleigh
|
2:30
|
Duo / Duet
Staccato
Syncopation
Ternary Form
|
| In the Bottoms Suite: Prelude - Night |
Nathaniel Dett
|
4:12
|
Adagio
Chromatic
Contrast
Interval
Legato
Parallel Motion
Prelude
Solo - Piano
Suite
Syncopation
Tenuto
Ternary Form
|
| In the Bottoms Suite: His Song |
Nathaniel Dett
|
2:09
|
Cadence
Call and Response
Chords
Harmonic Inversion
Harmonic Motion
Harmonic Rhythm
Minor Tonality
Motif
Phrase - Expressive Elements
Phrase - Melody
Solo - Piano
Suite
|
| In the Bottoms Suite: Honey Humoresque |
Nathaniel Dett
|
1:26
|
Fermata
Scherzo
Solo - Piano
Suite
Syncopation
|
| In the Bottoms Suite: Dance Juba |
Nathaniel Dett
|
2:23
|
Allegro
Bass Line
Duple Meter
Interval
Meter - Misc.
Parallel Motion
Solo - Piano
Suite
|
| Prayer Before Battle |
Aldridge
|
2:49
|
Arrangement
Oblique Motion
Solo
Articulation - Misc.
|
| Rítmica 5 |
Roldan
|
2:18
|
Ostinato - Composition Technique
Ostinato - Form
Percussion Instruments
Percussion Ensemble
Rhythmic Pattern - Composition Technique
Rhythmic Pattern
|
| Rítmica 6 |
Roldan
|
2:00
|
Mixed Meter
Percussion Instruments
Percussion Ensemble
Texture - Misc.
|
| Afro-American Suite: Movement I - Nobody Knows the Trouble I See, Lord, Brother Will Pray for Me, Help Me to Drive Ole Satan Away |
Smith Moore
|
4:47
|
Arrangement
Call and Response
Dissonance
Pentatonic Scale
Suite
Trio
|
| Afro-American Suite: Movement III - Who is that Younder? – Oh, It Looks Like My Lord, Coming in a Cloud |
Smith Moore
|
4:00
|
Arrangement
Melodic Ornamentation
Ornamentation - Composition Technique
Ornamentation - Expressive Elements
Suite
Woodwind Instruments
Trio
Unison
|
| Afro-American Suite: Movement II - I Heard the Preaching of the Elder, Preaching the Word of God |
Smith Moore
|
1:50
|
Arrangement
Meter - Misc.
Quadruple Meter
Ritardando - Expressive Elements
Ritardando - Tempo
Rubato - Expressive Elements
Rubato - Tempo
Suite
Trio
|
| Afro-American Suite: Movement IV - Shout All Over God’s Heaven |
Smith Moore
|
1:37
|
Allegro
Arrangement
Counterpoint - Misc.
Duple Meter
Imitation - Composition Technique
Imitation - Counterpoint
Imitation - Melody
Melody - Misc.
Polyphony
Suite
Tempo - Misc.
Trio
|
| Three Black Kings: Part I. (King Balthazar) |
Ellington
|
5:10
|
Percussion Instruments
Quadruple Meter
Rhythmic Pattern - Composition Technique
Rhythmic Pattern
Symphony Orchestra
Syncopation
|
| Three Black Kings: Part II. (King Solomon) |
Ellington
|
7:23
|
Contrast
Harmonic Motion
Harmonic Rhythm
Harmony - Misc.
Improvisation - Expressive Elements
Improvisation - Form
Improvisation - Melody
Legato
Rhythmic Duration
Symphony Orchestra
Syncopation
Tenuto
|
| Three Black Kings: Part III. (Dr. Martin Luther King Jr.) |
Ellington
|
6:43
|
Bass Line
Call and Response
Improvisation - Expressive Elements
Improvisation - Melody
Symphony Orchestra
Woodwind Instruments
Solfege
|
| Saibei Suite No. 2 - Saibei Dance |
Huang
|
4:02
|
Contrast
Dynamics - Composition Technique
Dynamics - Expressive Elements
Suite
Symphony Orchestra
Ternary Form
Triplet
|
| Loco-motion |
Sung
|
5:50
|
Chordal Texture
Compound Meter
Mixed Meter
Symphony Orchestra
|
| Piano Concerto in G Minor Op. 10 III. Allegro |
Oswald
|
6:44
|
Allegro
Attacca
Chromatic
Concerto
Duple Meter
Solo and Ensemble
Symphony Orchestra
Tempo - Misc.
|
| Prelude for Piano |
Perry
|
1:51
|
Chordal Texture
Chordal Texture - Harmony
Chords
Harmonic Motion
Harmony - Misc.
Prelude
Solo - Piano
|
| Brazillian Dance |
Camargo Guarnieri
|
2:00
|
Accent
Articulation - Misc.
Allegro
Percussion Instruments
Staccato
Symphony Orchestra
|
| Congada |
Mignone
|
2:56
|
Allegro
Chromatic
Dissonance
Modal
Modulation - Composition Technique
Modulation - Harmony
Solo - Piano
|
| Chant de la montagne No. 1 - Echo-Ismao |
Elie
|
3:08
|
Minor Tonality
Melody - Misc.
Phrase - Expressive Elements
Phrase - Melody
Rhythmic Duration
Rhythmic Pattern
Rubato - Expressive Elements
Rubato - Tempo
Solo - Piano
|
| Violin Concerto in F# Minor: II. Adagio ma non troppo |
White
|
4:40
|
Attacca
Cadenza - Form
Concerto
Rhythmic Duration
Tenuto
Solo and Ensemble
Symphony Orchestra
|
| Violin Concerto in F# Minor: III. Allegro moderato |
White
|
4:43
|
Concerto
Minor Tonality
Staccato
String Instruments
Solo and Ensemble
Symphony Orchestra
|
| #Loved Ones |
Johnson
|
4:45
|
Chamber Group
Improvisation - Expressive Elements
Improvisation - Form
|
| Zodiac Suite: Aries |
Lou Williams
|
2:25
|
Arrangement
Contrast
Harmonic Motion
Suite
Symphony Orchestra
|
| Zodiac Suite: Taurus |
Lou Williams
|
2:25
|
Arrangement
Interval
Parallel Motion
Range - Composition Technique
Range - Texture
Suite
Symphony Orchestra
|
| Zodiac Suite: Gemini |
Lou Williams
|
2:20
|
Arrangement
Conjunct Motion - Melody
Contrary Motion
Contrast
Pizzicato
Suite
Symphony Orchestra
|
| Zodiac Suite: Cancer |
Lou Williams
|
4:00
|
Adagio
Arrangement
Chromatic
Homophony
Improvisation - Expressive Elements
Improvisation - Form
Improvisation - Melody
Suite
Symphony Orchestra
|
| Zodiac Suite: Libra |
Lou Williams
|
2:45
|
Arrangement
Chromatic
Motif
Suite
Symphony Orchestra
|
| Zodiac Suite: Scorpio |
Lou Williams
|
3:23
|
Arrangement
Ostinato - Composition Technique
Ostinato - Form
Parallel Motion
Syncopation
Suite
Symphony Orchestra
|
| Zodiac Suite: Sagittarius |
Lou Williams
|
1:25
|
Arrangement
Conjunct Motion - Counterpoint
Contrast
Suite
Symphony Orchestra
|
| Zodiac Suite: Capricorn |
Lou Williams
|
3:56
|
Adagio
Arrangement
Chords
Suite
Symphony Orchestra
|
| Zodiac Suite: Aquarius |
Lou Williams
|
2:53
|
Arrangement
Modulation - Composition Technique
Modulation - Harmony
Suite
Symphony Orchestra
|
| Shades |
Wallace
|
6:23
|
Dissonance
Interval
Microtonal
Solo
String Instruments
|
| Three Spirituals: I. Git On Board |
Simpson Curenton
|
3:00
|
Arrangement
Duo / Duet
Melody - Misc.
Woodwind Instruments
|
| Spring Festival |
Yi
|
2:54
|
Band
Timbre - Instruments
|
| Fuga I |
Bor
|
2:09
|
Fugue
Motif
Solo - Piano
|
| Fuga IV |
Bor
|
3:45
|
Call and Response
Fugue
Solo - Piano
|
| Four Afro-Cuban Songs: II. Tú No Sabe Inglé |
de la Martínez
|
3:00
|
Aria / Art Song
Homophony
Parallel Motion
String Orchestra
Solo and Ensemble
|
| Suite Andalucía: II. Andalucía |
Lecuona
|
2:10
|
Form - Misc.
Hemiola
Major Tonality
Minor Tonality
Modulation - Composition Technique
Modulation - Harmony
Rhythmic Pattern - Composition Technique
Rhythmic Pattern
Suite
Solo - Piano
|
| Suite Andalucía: V. Guadalquivir |
Lecuona
|
4:08
|
Rhythmic Pattern - Composition Technique
Rhythmic Pattern
Suite
Solo - Piano
|
| Suite Andalucía: IV. Gitanerías |
Lecuona
|
1:45
|
Presto
Suite
Solo - Piano
Triplet
|
| Four Igbo Songs No. 2: TUZU |
Uzoigwe
|
1:48
|
Aria / Art Song
Allegro
Arrangement
Compound Meter
Duo / Duet
Major Tonality
Rhythmic Pattern
|
| Variations on “Lift Every Voice and Sing” |
B. Alston
|
06:05
|
Percussion Instruments
Solo - Piano
Theme and Variation - Form
|
| The Cuckoo |
Swanson
|
2:56
|
Interval
Scherzo
Solo - Piano
|
| Jamaican Dance No. 2 |
Russell
|
2:50
|
Oblique Motion
Interval
Solo - Piano
Syncopation
|
| Fuga y Misterio |
Piazzola
|
5:10
|
Cello Ensemble
Extended Technique - Composition Technique
Extended Technique - Expressive Elements
Fugue
Form - Misc.
String Instruments
|
| … conduct thy footsteps … |
Green
|
12:00
|
Avant-Garde / Experimental
Duo / Duet
|
| The Green Double: a historical dance suite |
Green
|
5:28
|
Imitation - Melody
Mixed Ensemble
Parallel Motion
Suite
Unison
|
| Ballet: The Footsteps of Life |
Tzeng
|
13:53
|
Ballet
Chamber Group
Live Instruments with Electronics
|
| forever after |
Lee
|
6:30
|
Extended Technique - Composition Technique
Extended Technique - Expressive Elements
Free Tonality / Pantonality
Non-Metric
Pizzicato
Solo
Woodwind Instruments
|
| Mascarada - II. Balla |
Ping Yee Ho
|
4:07
|
Concerto
Pizzicato
String Orchestra
Solo and Ensemble
Syncopation
Triplet
|
| Plush Earth in Four Pieces: III. Part |
Ko
|
2:00
|
Duo / Duet
Glissando
|
| Safika: Three Tales of African Migration: Movement I |
Ndodana-Breen
|
3:30
|
Accent
Articulation - Misc.
Compound Meter
Hemiola
Staccato
Quintet
|
| Peace Symphony |
Banfield
|
4:36
|
Arpeggio - Harmonic
Interval
Melody - Misc.
Oblique Motion
Range - Texture
Solo and Ensemble
|
| Sanctum |
Bryan
|
12:30
|
Chamber Group
Imitation - Composition Technique
Live Instruments with Electronics
|
| Scenes from Dinétah: Weaving |
Chee
|
4:05
|
Arpeggio - Composition Technique
Arpeggio - Harmonic
Solo - Piano
Text Painting - Expressive Elements
|
| September Clouds |
Gambarli
|
6:00
|
Extended Technique - Composition Technique
Extended Technique - Expressive Elements
Largo
Solo - Piano
|
| Four Seasonal Sketches: I. Spring Intermezzo |
King
|
2:30
|
Free Tonality / Pantonality
Solo - Piano
|
| Four Seasonal Sketches: III. Autumn Dance |
King
|
2:30
|
Bass Line
Minor Tonality
Ostinato - Composition Technique
Ostinato - Form
Solo - Piano
|
| Piano Piece No. 2 - Call and Response |
Kwami
|
1:29
|
Call and Response
Solo - Piano
|
| Kupu-Kupu (Butterfly) |
Kamal
|
6:10
|
Call and Response
Pizzicato
Range - Composition Technique
Range - Melody
Range - Texture
Solo and Ensemble
|
| Press |
Hynes
|
2:57
|
Ostinato - Composition Technique
Ostinato - Form
Percussion Ensemble
Percussion Instruments
Rhythmic Pattern
Rhythmic Pattern - Composition Technique
Quartet
|
| Meditation & Calligraphy |
Balter
|
3:00
|
Contour
Extended Technique - Composition Technique
Extended Technique - Expressive Elements
Live Instruments with Electronics
Solo
Text Painting - Expressive Elements
|
| Ka Bohaleng / On the Sharp Side |
Selaocoe
|
4:33
|
Form - Misc.
Mixed Meter
Mixed Ensemble
Presto
Rhythmic Pattern - Composition Technique
Rhythmic Pattern
Rubato - Expressive Elements
Rubato - Tempo
String Instruments
|
| Oh Yemanja (Mother’s Prayer) |
León
|
5:30
|
Aria / Art Song
Contour
Disjunct Motion - Melody
Trio
|
| Symphony No. 1 in E Minor - I. Allegro ma non troppo |
Price
|
18:11
|
Fermata
Ritardando - Tempo
Sonata Form
Symphony
Symphony Orchestra
|
| Symphony No. 1 in E Minor - II. Largo, maestoso |
Price
|
13:22
|
Brass Instruments
Call and Response
Motif
Symphony
Symphony Orchestra
Timbre - Instruments
|
| Symphony No. 1 in E Minor - III. Juba Dance |
Price
|
3:41
|
Interval
Major Tonality
Ritardando - Expressive Elements
Ritardando - Tempo
Symphony
Symphony Orchestra
|
| Tango Etude No. 3 |
Piazzola
|
03:45
|
Accent
Articulation - Misc.
Counterpoint - Misc.
Disjunct Motion - Counterpoint
Etude
Melodic Ornamentation
Solo
String Instruments
Syncopation
Ternary Form
|
| Ascension |
Liang
|
10:15
|
Avant-Garde / Experimental
Brass Instruments
Free Tonality / Pantonality
Sextet
|
| Overture for Orchestra |
Tsang
|
9:20
|
Overture
Symphony Orchestra
|
| Keep Your Lamps! |
Thomas
|
3:18
|
Arrangement
Chorus
Dynamics - Composition Technique
Dynamics - Expressive Elements
Homophony
Minor Tonality
Refrain
|
| Zan, Zendegi, Azadi (Woman, Life, Freedom) |
Omidi
|
1:56
|
Andante
Chorus
Interval
Minor Tonality
Oblique Motion
Ostinato - Composition Technique
Ostinato - Form
Tempo - Misc.
|
| United in Purpose |
Dilworth
|
3:45
|
Chorus
Homophony
Improvisation - Expressive Elements
Improvisation - Form
Quadruple Meter
Syncopation
Solo and Ensemble
|
| Standing Stone |
DeMore
|
03:49
|
Harmony - Misc.
Interval
Major Tonality
Parallel Motion
Refrain
Solfege
Unison
Chorus
|
| The Battle of Jericho |
Hogan
|
2:22
|
Arrangement
Call and Response
Chorus
Dynamics - Composition Technique
Dynamics - Expressive Elements
Terraced Dynamics - Composition Technique
Terraced Dynamics - Expressive Elements
Melody - Misc.
Minor Tonality
Refrain
Syncopation
Texture - Misc.
|
| Nigra Sum Sed Formosa - Fantasia on Microaggressions |
Woody
|
5:55
|
Cadence
Chorus
Fantasy
Polyphony
Unison
|
| Ezekiel Saw de Wheel |
Dawson
|
2:30
|
Accent
Allegro
Arrangement
Articulation - Misc.
Chorus
Harmony - Misc.
Improvisation - Expressive Elements
Improvisation - Form
Improvisation - Melody
Interval
Melody - Misc.
Ostinato - Composition Technique
Ostinato - Form
Refrain
Solo
Staccato
Text Painting - Expressive Elements
Text Painting - Melody
|
| Symphony 7, "Reveries" - Prelude |
Banfield
|
3:54
|
Atonal/Atonality
Chordal Texture
Chordal Texture - Harmony
Dissonance
Prelude
Range - Texture
Symphony Orchestra
Timbre - Composition Technique
Timbre - Instruments
|
| Soul Bass Concerto - III. Fugue |
Foley
|
4:02
|
Cadenza - Form
Call and Response
Double Stops
Concerto
Fugue
String Instruments
Solo and Ensemble
|
| Etude No. 4 - “The Hunt" |
Foley
|
1:43
|
Double Stops
Etude
Glissando
Interval
Parallel Motion
Range - Expressive Elements
Rhythmic Duration
Rhythmic Pattern
Rhythmic Pattern - Composition Technique
Solo
String Instruments
Tempo - Misc.
Vivace
|
| Etude No. 5 - "The Mystery" |
Foley
|
2:38
|
Chromatic
Counterpoint - Misc.
Double Stops
Etude
Harmony - Misc.
Largo
Legato
Oblique Motion
Polyphony
|
| Etude No. 7 - "Waves" |
Foley
|
1:57
|
Cadence
Contour
Etude
Melodic Ornamentation
Minor Tonality
Ornamentation - Expressive Elements
Pizzicato
Quadruple Meter
Solo
Ternary Form
|
| Etude No. 8 - "Heaven" |
Foley
|
1:52
|
Allegro
Arpeggio - Composition Technique
Arpeggio - Harmonic
Arpeggio - Melodic
Chords
Contour
Etude
Harmonic Progression
Harmonic Progression - Composition Technique
Solo
|
| Etude No. 9 - “Col Legno Master” |
Foley
|
1:53
|
Col Legno
Etude
Solo
String Instruments
|
| Rocketship! |
Day
|
4:22
|
Band
Brass Instruments
Form - Misc.
Imitation - Counterpoint
Percussion Instruments
Range - Composition Technique
Range - Texture
|
| Strausiana |
Mendoza Nava
|
1:09
|
Hemiola
Symphony Orchestra
Waltz
|
| Algún dia (Someday) |
León
|
2:47
|
Aria / Art Song
Chromatic
Conjunct Motion - Melody
Duo / Duet
Harmonic Motion
Harmonic Progression - Composition Technique
Legato
Melody - Misc.
Moderato
Phrase - Expressive Elements
Phrase - Melody
Rubato - Expressive Elements
Rubato - Tempo
|
| Concierto Indio for Violin and Orchestra - Mvmt II |
Valcárcel
|
4:48
|
Binary Form
Concerto
Contrast
Phrase - Expressive Elements
Phrase - Melody
Solo and Ensemble
Timbre - Composition Technique
Timbre - Instruments
Triplet
|
