Amen!

Carlos Simon
Piece Duration: 13:00

About this Piece

(Starts at 0:23)

Program Note and Perusal Score found here.

"AMEN! (2017) was commissioned by the University of Michigan Symphony Band and is a homage to my family's four generational affiliation with the Pentecostal church. My intent is to re-create the musical experience of an African American Pentecostal church service that I enjoyed being apart of while growing up in this denomination. [...] The worship services in these churches will often have joyous dancing, spontaneous shouting, and soulful singing. The music in these worship services is a vital vehicle in fostering a genuine spiritual experience for the congregation. 

The three movements in AMEN! are performed without break to depict how the different parts of a worship services flows into the next. In the first movement, I’ve imagined the sound of an exuberant choir and congregation singing harmoniously together in a call and response fashion. The soulful second movement quotes a gospel song, "I'll Take Jesus For Mine” that I frequently heard in many services. The title, AMEN!, refers to the plagal cadence or “Amen" cadence (IV-I), which is the focal point of the climax in the final movement. Along with heavily syncopated rhythms and interjecting contrapuntal lines, this cadence modulates up by half step until we reach a frenzied state, emulating a spiritually heightened state of worship." - Carlos Simon

Notable Passages

Time Stamp: 0:30 — 1:35
Description: Listen to the trombones play in a Barbershop style chordal texture! (Perusal Score Pg. 2-8)
Keywords: Brass Instruments , Chordal Texture , Harmony - Misc. , Homophony , Parallel Motion

Time Stamp: 3:33 — 4:19
Description: Listen for the different types of articulation in this section, especially the accents! (Perusal Score pg. 25-31)
Keywords: Accent , Articulation - Misc.

Time Stamp: 9:25 — 9:59
Description: An arpeggiated figure, featuring descending sixteenth notes, is heard in the xylophone and piano. At 9:38, the woodwinds take the same figure! This section closes with a large ritardando, before picking up in speed once again! (Perusal Score Pg. 61-65)
Keywords: Imitation - Composition Technique , Imitation - Counterpoint , Ritardando - Tempo

Time Stamp: 9:59 — 10:50
Description: This section is full of syncopated figures in 4/4 time! (Perusal Score pg. 66-72) The most common figure is notated here: https://drive.google.com/file/d/1nyDQst603VaEdlnlHC-LLXZU1X80gVOI/view?usp=sharing
Keywords: Imitation - Composition Technique , Syncopation

Time Stamp: 10:25 — 10:50
Description: A melodic figure is played by the saxophones, then the flutes/oboes, then the clarinets, and then the xylophone. Follow it as it moves from section to section! (Perusal Score pg. 70-71)
Keywords: Imitation - Melody

Time Stamp: 11:59 — 13:11
Description: Our harmony keywords take center-stage at the end of this piece. Listen to those chords! (Perusal Score pg. 87-92)
Keywords: Chords , Harmony - Misc. , Harmonic Motion

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