Sewing Song

Thomas Wiggins
Piece Duration: 06:13

About this Piece

Score: https://digitalarchives.columbusstate.edu/items/show/3 

Text Painting: The right hand of the piano imitates the fast, motor-like sound of a sewing machine. Listen to the sound of a vintage sewing machine here. Then, listen to the Sewing Song. Compare and contrast the rhythmic motion of the music with the machine! 

Suggested Activity: Did you know that the composer Thomas Wiggins was blind? Consider how he made sense of the world around him through sound. Listen for the rhythms of mechanical sounds in your own environment. How can we use rhythm and melody to imitate these sounds? (Click here to hear another piece, Joy Boy by Julius Eastman, that mimics a mechanical sound)

Modulation:  (To hear each modulation separately, see Notable Passages below)
1.  Brief modulation from Eb Major to G major. (1:39-2:00)
2. Modulation from G major to the parallel minor (G minor), then a V7 chord in Eb (Bb7), modulating back to Eb Major. (2:00-2:10)
3. Quick modulation to B Major, after a cadence in Eb Major (2:45-3:45)
4. The music pivots from B Major to Bb Major at 3:49. This transitional section lands on a large V7 chord in Eb (Bb7) at 4:05, and finishes the piece in Eb Major. (3:35-4:20)

 

Notable Passages

Time Stamp: 00:53 — 02:52
Description:

Listen to all of the arpeggios in the right hand of the piano! (Found on the second page of sheet music)


Keywords: Arpeggio - Composition Technique , Arpeggio - Harmonic , Text Painting - Expressive Elements

Time Stamp: 00:53 — 02:52
Description:

Listen to the harmonic progression in the left hand of the piano. This section repeats again from 4:11 to the end of the piece. A full harmonic reduction of this section is notated here.


Keywords: Harmonic Progression

Time Stamp: 01:39 — 02:00
Description:

The piece begins to modulate! First, the piece briefly modulates from Eb Major to G major.
 


Keywords: Modulation - Harmony , Modulation - Composition Technique

Time Stamp: 02:00 — 02:10
Description:

Second, there is a modulation from G major to the parallel minor (G minor). Then, a V7 chord in Eb (Bb7) modulates the piece back to Eb Major.
 


Keywords: Modulation - Harmony , Modulation - Composition Technique

Time Stamp: 02:45 — 03:45
Description:

This third modulation happens fast! The music cadences in Eb Major, then quickly modulates to B Major. 
 


Keywords: Modulation - Composition Technique , Modulation - Harmony

Time Stamp: 03:35 — 04:20
Description:

One more modulation left! Listen as the music pivots from B Major to Bb Major at 3:49. This transitional section lands on a large dominant chord in Eb Major at 4:05, and finishes the piece in Eb Major.


Keywords: Modulation - Harmony , Modulation - Composition Technique

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