In the Bottoms Suite: Prelude - Night

Robert Nathaniel Dett
Piece Duration: 4:12

About this Piece

(Starts at 0:29)

Program Note: "This piece depicts scenes and moods in the lives of Black Americans, along the river bottoms [low-lying land along a river] of the Southern United States. It was composed in 1913, during Dett's tenure at Lane College. Having been inspired by Dvorak's inclusion of traditional folk melodies in larger forms, Dett, in 'In the Bottoms,' made use of characteristics indigenous to Black folk music. Dett felt that not only that Black folk melodies were worthy of being used in art music, but that they themselves could be expanded to become larger forms. It was not, however, until several years later that this concept clearly became his objective." - Debra A. Miles

Sheet Music: https://vmirror.imslp.org/files/imglnks/usimg/c/c8/IMSLP64680-PMLP131763-Dett_In_the_Bottoms.pdf 

Ternary Form:
A: 0:29
B: 2:18
A: 3:25

Table of Contents - Featured Movements:
Prelude - Night
His Song
Honey Humoresque
Dance Juba

Notable Passages

Time Stamp: 0:29 — 1:18
Description:

The pianist plays perfect fifths in parallel motion with both hands, during the first 15 measures of music! 

(Click here to see sheet music)


Keywords: Interval - Harmonic , Parallel Motion

Time Stamp: 1:30 — 2:15
Description:

Listen for the descending chromatic passages, played by the right hand! The music moves by half step in two different octaves, seen in measures 20-21 of the sheet music

The performer then plays an ascending B Major arpeggio in measure 22, and the pattern repeats until measure 36.


Keywords: Chromatic , Interval - Melodic , Legato

Time Stamp: 1:50 — 2:49
Description:

First, scroll above to listen to the beginning of the piece. Then, listen here for the contrast between the end of the A Section, and the start of the B Section at 2:18! Can you describe what changes in the music?


Keywords: Contrast , Ternary Form

Time Stamp: 2:18 — 3:25
Description:

An eighth-quarter-eighth rhythm is played in the right hand, and later echoed in the left hand (eighth rest-quarter-eighth)

(Found on PDF Pg. 4 of the Sheet Music)


Keywords: Syncopation

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