Meri Sakhi Ki Avaaz - III. Mirror | Opposite / Aks aur Saaya
Reena EsmailPiece Duration: 5:50
About this Piece
(Starts at 20:10)
Program Note: "Meri Sakhi Ki Avaaz, at its core, is a piece about sisterhood. Each movement epitomizes one of the many facets of having and being a sister. It is also about what sisterhood looks like when expanded beyond a single family or a single culture— when two women, from two different musical cultures create space for one another’s voices to be heard.
The third movement is about mirrors and opposites. I used two different raags that are actual mirror images of one another: Bhup, a light and sweet raag, and Malkauns, a dark, heavy raag. You will hear the shifts in tonality as the phrases cross from one into the other. Also embedded in this piece is a classic Hindustani jugalbandi (a musical competition) that is done completely in mirror image, and with both Indian and Western solfege systems, and it ends with both women crossing into one another’s musical cultures: the Hindustani singer begins singing phrases in English and the soprano joins in for ataranain harmony." - Reena Esmail
Ensemble: Western Classical Soprano, Hindustani Vocalist, and Orchestra
Text:
Saaya nahi, pratibimb hai bahin
Not a shadow but a reflection of my sister
Vibhil chabi, ek dusre ka darpan
Lucid image, a mirror of one another
My sister is both my mirror and my opposite
Vo aks hai aur saaya bhi
Other Movements:
-Movement I. Dō Kaliyaan / Two Flowers
-Movement II. Meri Sakhi ki Avaaz / Sweet is the Voice
Notable Passages
Description:
As explained in the program note, both vocalists sing to each other, using the solfege system respective to their musical training. This creates a musical mirror / opposite image!
-Hindustani classical solfege: sa re ga ma pa da ni sa
-Western classical solfege: do re me fa sol la ti do
Keywords: Call and Response , Interval - Melodic , Solfege , Text Painting - Expressive Elements , Text Painting - Melody
Description:
Rhythmic Pattern 1: played in 7/8 Time (3+2+2). The pattern played by the strings is "Eighth, quarter, quarter, quarter" (This pattern is heard again at 24:00-24:30)
Keywords: Mixed Meter , Rhythmic Pattern
Description:
Rhythmic Pattern 2: The string /percussion players briefly put their instruments down to clap and snap a rhythmic pattern. Esmail has a video explaining this pattern, here.
(This pattern is heard again at 25:15-25:30)
Keywords: Mixed Meter , Rhythmic Pattern
Description:
While the western classical soprano interjects with the movement’s melody, the Hindustani classical singer sings vocal embellishments
Keywords: Ornamentation - Expressive Elements